Terror thrives off spatial consciousness—take into consideration the home in “Hereditary,” the winding hallways in “The Shining,” and the cramped compartments of “Alien.” Emerson Moore’s “Escape the Field” makes a daring transfer and promptly falls on its face by chopping out that aspect, and units its minimal horror in an ocean of corn. There isn’t any method out, and any evil power might be on the market, however, there’s additionally no consistency. Simply lots of corn. It is formidable, however with such hand-holding dramatic course and a dreary visible palette…
